This was the first restoration of a work of this scale since the painting entered the French national collections in 1881.
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The restorers first conducted detailed studies of the work, which allowed for a better understanding of its condition and previous restoration efforts. Yellowed and darkened old varnish layers were removed and thinned from the surface of the painting. The canvas was also repaired and pores that had deformed were replaced.
An interesting discovery was made during the restoration. When the canvas was smoothed, it became clear that parts of Kurbė’s painting were folded and hidden along its edges. Deciding to partially reveal them, viewers can now see more of the original painting.
The lower part of the work changed especially: more of the pit was revealed and the handle of the pit-digger’s tool is visible again, making the scene look even more dramatic.
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The restorers also decided to preserve some of the so-called “pentimenti” – traces of the artist’s earlier decisions and painting changes that have become visible over time.
Throughout the entire process, museum visitors were able to observe the restoration work. Additionally, free tours were organized, during which people could get closer to the restoration of the work. More than 1,100 people attended these tours.
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After restoration, “The Funeral in Ornans” is again exhibited at the Orsay Museum.